If you asked me to name a single most effective path towards a breakthrough in your painting studies (or in your painting practice), my answer would be the same independently of your skill level: an in-depth study of a masterpiece of painting, learning from a master by doing, by remaking their painting.
This is an age-old learning strategy — this is how the great artists we now know as “old masters” learned their craft. And this is also what many of them often returned to later on, because learning never ends in the life of an artist (the image for this page is a reproduction of a study after Delacroix Vincent Van Gogh did in the last year of his life). There is no more powerful way to reconnect with the very essence of painting, to experience the inner workings of this art at its best.
I do it all the time myself — whenever I want to learn more about how to compose a great painting, or just feel stuck. If inspiration doesn’t come, this is my go-to way to invite it. If I feel I need a breakthrough, that there is some next level I don’t quite know how to achieve, I find a masterpiece to study. This process strengthens the vital sensation of unity with the eternal art of painting — I am not alone in my studio anymore: the greatest painters in the history of humankind are right there to guide and support me!
That’s why I packed all I know about how to learn from them into this self-paced online course. You choose the masterpiece you want to study in-depth and remake, and this course guides you through the process step-by-step.
Some more information about the course before you sign up:
- Prerequisites. This course does not cover the basics of using a painting medium, so you will need some basic familiarity with your medium (it doesn’t need to be the medium originally used to create the masterpiece you will be studying). You will also need a painting set-up ready. Apart from that, your skill level doesn’t matter, the course is flexible enough to accommodate all levels. If you are a beginner, it will just take you longer to complete some modules. If you are an accomplished painter, the same practices will deepen your understanding of the masterpiece you are studying at another level (and you will be able to skip some of them).
- Time. This learning project works best if you have time to immerse yourself in it; the minimum you need is two-three hours per week. I don’t know how long it will take you overall: it depends on too many factors, from the masterpiece you have chosen to your initial skill level. The course is delivered in medium-sized “chunks” and self-paced: once you have completed one module, you will need to click a link in your letter to receive the next one.
- Materials. Apart from your paints and support (canvas or paper), you will need a notebook for sketching and journaling, and some basic drawing materials. If you are using oils or acrylics, you will also need some canvas paper for preliminary colour studies (or any other paper thick and sturdy enough for your medium).
- How to choose the masterpiece. Choose the painting in such a way that the idea of remaking it both excites and scares you (so you feel you don’t really know how to start). In the ideal world, this painting hangs in a nearby museum, but the course doesn’t assume that. You will need access to a very high-resolution digital reproduction (like those on the Google Art Project website). It will also be useful (even though not absolutely necessary) to be able to see the painting closer to its actual size, either in a printed reproduction, or by using a projector (to enlarge the image on your computer screen).
- How it works. The journey of in-depth painting study consists of two parts: diving deep into the inner workings of the masterpiece, and then remaking it on your own canvas. This course will guide you only through the first half of this process and prepare you for the second one: it cannot take you much further, because the next steps will be different for different paintings. If you need further guidance or feedback, I am almost always available to answer your questions by e-mail. I also have a very small one-on-one mentorship program — if you are interested in that, please write to me in response to the first letter of the course to check whether I am available. In the letter, please tell me what masterpiece you are going to study, and a bit more about yourself, your intentions for this project, and challenges you anticipate.
- Gift economy. As everything else on “Art of seeing”, this program exists in the framework of new, generosity-based, economy. It’s my gift to you. If you want to support my work, please read this page.
If you are ready to sign up, please fill this form to receive your first letter: