The painting translates the loss of show as the loss of colour, contrasting the left vertical golden section rectangle, with it’s fully saturated colour, and the right third of the painting, in which some muted ochres remain only in the background, and flowers themselves leese their colour (and lose their lusty leaves) and retain only their basic geometry. On another level, this loss of colour can be read as flowers being checked with frost, oversnowed – thus bringing in the second, wintery, quatrain of the sonnet.
This painting is a work-in-progress. |